One of the first special edition fountain pens from Pelikan in modern times was the M800 Transparent Green Collector’s Edition which came out in 1992. Clamor from customers in the United States resulted in the production of that pen, an unnumbered model, which was well received. It preceded their first ever limited edition, the M800 Blue Ocean, by just one year. In that run of 5000 pens, each piece was individually numbered. We were off to the races after that with Pelikan releasing a number of Special and Limited editions annually. That Transparent Green M800 has always been a looker. It was known to have been a favorite of Gerd-Rüdiger Lang, founder of Chronoswiss, so much so that it served as the inspiration behind 2002’s Styloscope. Fast forward to the present day and Pelikan brings us back to where it all started. News broke yesterday of the Souverän M800 Special Edition Green Demonstrator. Due out sometime in mid to late April, this model will hit shelves just in time for the spring foliage. Rather than a straight rehash of an old favorite, this new model actually features a re-design of Pelikan’s iconic trim, something that’s sure to generate a buzz. Read on to learn about all of the details surrounding this new M800.
March is designated as Women’s History Month in the USA, the UK, and Australia, a month set aside to commemorate the contributions of women in history and society. In honor of that, I elected to take up the study of gendered fountain pens produced by Pelikan over the last century, specifically their fountain pens and pen modifications made especially for women. Gendered products, just as the name implies, are those items or services marketed specifically towards a particular sex. Goods such as these have been around for a long time, and many have a controversial history owing to the promotion of unhealthy and often false gender stereotypes. There are a multitude of products which fall into this category, many of which are quite laughable. The distinction between male and female targeted products frequently consists of nothing more than a pink color and some slightly altered packaging with the word “Lady” prominently displayed. Marketing departments pursue these gendered products in an effort to enhance their appeal, thereby broadening the pool of potential consumers. This pursuit frequently results in the distorted portrayal of women as weaker, more delicate, and in need of special care while at the same time promoting toxic masculinity. Many cultures still frown upon men enjoying anything of a pink persuasion because of the femininity associated with it. In addition to various shades of pink and pastel, items targeted towards women tend to be smaller in size to better fit the stereotype of the more diminutive female. Many of the historical boundaries surrounding gender roles in society are being tested and debated today, a debate that is well beyond the scope of this blog. What is on brand for this blog is just how Pelikan has fed into and perpetuated some of these societal constructs with their writing implements over their 94 years in the industry. Pelikan’s gendered writing instruments can be found as far back as the original model 100 from the 1930s but there have been more recent examples as well. Indeed, it’s hard to believe that such products have persisted well into the 21st century. Pelikan’s catalogs from the 1930s through the 1950s list products that could be altered for use by a woman, labeled as “Damenhalter” or “Für die Dame” but, make no mistake, this is not a Pelikan specific phenomenon. Other pen companies, both past and present, have done the same including Sheaffer, Soennecken, Parker, and Montblanc. Believe it or not, even the ubiquitous Bic Cristal has not been spared. Read on to learn about just a few select examples of products from Pelikan’s back catalog that have been geared towards women.
Last year, we took an in-depth look at the Rappen fountain pen, a lower tier offering from Pelikan that was available during the 1930s and 1940s, priced as a more affordable alternative to the model 100. That work concluded with a look at the so called Rappen-IBIS, an IBIS pen sold under the Rappen branding in order to avoid trademark infringements in certain export markets. Make no mistake about it, however, that model was far more IBIS at its heart than Rappen which begs the question; “What is a Pelikan IBIS? It was October 15, 1936, when the IBIS fountain pen was officially introduced to Germany, replacing the Rappen in that market. Perhaps it was with some deliberation that the IBIS moniker was chosen. In the hierarchy of biological classification, the order Pelecaniformes contains several medium to large waterbirds including the families Pelecanidae (pelicans) and Threskiornithidae (ibises) indicating a distant relation between the company’s namesake bird and the ibis. By the time of the IBIS’ introduction, Günther Wagner had been producing and selling fountain pens under the Günther Wagner/Pelikan brand for seven years. Whereas the Rappen originally employed a bulb filling method with a sac, the IBIS was equipped with a piston filling mechanism more in line with the company’s upmarket offerings. This effectively makes the IBIS a hybrid of sorts, combining the looks of the Rappen with the mechanics of the model 100. Despite being supplanted in Germany, the Rappen would continue to be sold in export markets until the end of World War II and would eventually be outfitted with that same piston filling mechanism towards to end of the product line’s run. Unlike the Rappen, the IBIS would be sold under the Günther Wagner/Pelikan brand, where it continued to fill the gap of a more affordable, entry level model when compared with the 100 and 100N. In their literature to dealers, Pelikan would explain that “The IBIS was created… so that the specialist trade could also offer a solidly made transparent piston filler from Günther Wagner in the medium price range.” Price lists from the 1930s described the IBIS as a “fountain pen of good quality, moderate in price and reliable in use.” World War II had a significant impact on the IBIS’ production, but it would survive the tumult and ultimately go on to enjoy an eleven year production run. Today, many of the surviving pens, especially those from the post-war era, can be had relatively cheaply on the secondary market which makes this a model well worth learning about. Read on to learn how the IBIS fell to the pressures of war only to later be resurrected.
Back in October, I brought you news of a prospective land sale by Pelikan for the purpose of having a logistics center built next to their existing manufacturing plant in Peine-Vöhrum, Germany. That plant counts nearly 240 employees among its labor force, and it is the site of production for Pelikan’s fine writing instruments, amongst other things. It was suggested by management at the time of the original announcement that the proceeds from the sale of a non-operating asset such as this could be put to use modernizing the plant, something that is long overdue. Pelikan’s current facilitates located on the Pelikanstraße date back to the early 1970s and are now nearly fifty years old. By all accounts, the plant is showing its age and falling behind the times, becoming increasingly antiquated and less well suited for its intended purpose. Lined up to buy the nearly 6.2 acre tract of land was the Hillwood Group, a U.S. based investment company with German headquarters in Frankfurt am Main. They are a developer of residential, commercial, and industrial real estate with operations in the United Kingdom, Germany, and Poland. The city council of Peine approved the development plan by a large majority back in October, affirming their keen interest in keeping Pelikan’s plant at its current location. That same city council last met publicly on the evening of Thursday, February 23rd, the proceedings of which were reported in the Peiner Allgemeine by Jan Tiemann. Council members were informed immediately prior to the proceedings about a potential change in plans, a development not previously forecasted. Read on to learn about the new proposal coming to light.
In the closing days of 2022, Pelikan brought two final models to market, capping off a year of scant releases. The first of these was the M205 Apatite special edition which was reviewed on the blog earlier this month. The second release was the Pelikan 40 Years Of Souverän fountain pen which is the model under scrutiny today. “What is a Souverän?” you might ask. For the uninitiated, it is simply the term that Pelikan gives to those models hailing from their high end fine writing instrument product lines. The concept has a strong precedent. Montblanc, perhaps one of the best known manufacturers of luxury items, has been using the “Meisterstuck” branding for their high end writing instruments since the 1920s. The word ‘meisterstuck’ translates to English as ‘masterpiece.’ Pelikan’s marketing simply followed suit, coming up with the term Souverän, which translates into sovereign or commanding. The Souverän moniker was first born in March of 1982, and it came at a time of great peril for the company. It was that same year that Pelikan was forced to declare bankruptcy after facing heavy losses across multiple business sectors, in part a consequence of the business’ rapid expansion during the 1970s. The early 1980s saw a fountain pen renaissance of sorts and Pelikan attempted to capture a share of that market by going back to a design which had been so successful for them thirty years earlier. That first Souverän was the Black/Green M400 and, at least initially, it was little changed from its predecessor. The company would ultimately be taken over, various divisions parted out, but Pelikan’s fine writing instruments division would survive the bankruptcy proceedings. The Souverän line would continue to grow and flourish over the ensuing forty years. Other models would follow including the M600 in 1985, the M800 in 1987, the M1000 in 1997, and the now discontinued M300 in 1998. This past year marked the 40th anniversary of that first Souverän and Pelikan chose to commemorate the occasion with a special limited edition M800. Only 888 pieces, laden with plenty of gold embellishments, were produced for worldwide distribution so I thought that it was worth taking a closer look at this one. One of the things that I and many others love about the Pelikan brand is their heritage, so I take any homage to such very seriously. Unfortunately, the design of this new model leaves me wanting and I cannot help but feel that opportunities were squandered. Read on for an honest review of this commemorative fountain pen as seen through the eyes of a true Pelikan fan.
While 2022 was a year of tumultuous, rapid fire news cycles, things were overall slow in terms of new releases from Pelikan. This is a pattern that Pelikan has been getting us increasingly accustomed to in the post-COVID world. Even when overlooking the paucity of new pens, there certainly weren’t many earth shattering, “must have” releases. With only six new models introduced this past year, two of which were ultra-exclusive Maki-e releases, there hasn’t been a lot to review. While the standout for 2022 was likely the M605 Tortoiseshell-Black, it’s worth taking a look at a few of the latest releases from the company. First up is the M205 Apatite special edition fountain pen which became available to consumers last month. The Apatite is the newest release in Pelikan’s line of fountain pens designed to match their Edelstein Ink Of The Year series, the eighth such model in that line-up. The majority of pens released to date have been in the M205 family and the Apatite is no exception. That means these models are characterized by chromium plated trim which gives the furniture a silver appearance. The seven other models in the series to date include the M205 Amethyst (2015), M205 Aquamarine (2016), M200 Smoky Quartz (2017), M205 Olivine (2018), M205 Star Ruby (2019), M205 Moonstone (2020), and M200 Golden Beryl (2021). Unfortunately, compromises were made resulting in an aesthetic that makes the Apatite stand on its own, and not necessarily in a good way. Also, the Apatite departs from the glittered styling that was a major feature of the Star Ruby, Moonstone, and Golden Beryl. Read on to learn just how much of an appetite you should have for the new M205 Apatite.
The calendar has flipped, and a new year has begun which means it is time for Pelikan to clue us in on the next special edition ink to join their Edelstein line. New for 2023, this year’s special edition “Ink Of The Year” will be Rose Quartz. The shade of this new ink promises to fall somewhere on a spectrum between pink and red. This new edition will be the twentieth gemstone inspired ink to join the Edelstein line. Pelikan has been playing the special edition ink game for twelve years now, first launching Turmaline in 2012. Since that time, we have had several solid inks along with some really great but too short lived releases. Since Turmaline, we have had Amber (2013), Garnet (2014), Amethyst (2015), Aquamarine (2016), Smoky Quartz (2017), Olivine (2018), Star Ruby (2019), Moonstone (2020), Golden Beryl (2021), and Apatite (2022). Because these are special edition inks, they are generally produced for only one year therefore once supplies run out, they are gone (unless Pelikan decides to resurrect a shade or two down the line). Rose Quarts will be available in the Spring with an anticipated launch date for some time in March 2023.
Pelikan incorporated a variety of rolling changes into their flagship Transparent Fountain Pen early on in its production which ultimately culminated in the model 100 that we know and love today. These iterative changes are why pens from the 1930s, in particular, can be found with some unique and oftentimes poorly documented features. Some of these changes improved functionality whereas others were geared more towards aesthetics. One of the more interesting features once employed was the long cap or short cap head, depending on your perspective. You may see the terms used interchangeably, and both are technically correct when bandied about. These are variants of the model 100/101 and 100N/101N fountain pens that are not documented in any known catalog or brochure but are officially recognized as having been available for purchase through retail channels, predominantly those outside of Europe. For instance, an advertisement from the Portuguese distributor Emegê featuring a 101N Short Cap Head Tortoise is known, an exceedingly rare find. Pelikan’s tall, domed cap head is an easily recognized feature that stands out on the company’s early fountain pens. In addition to giving the 100 and 100N their iconic shapes, it contributes to the superb balance of those models when posted as well as facilitating a solid grip for easy withdrawal from within a pocket. Putting aesthetics and ergonomics aside, the cap is also integral to the proper sealing of the pen, essential in preventing the ink contained within from drying out. While some of Pelikan’s design choices over the years have defied explanation, the short cap head at least has some documented history behind it and from a primary source to boot. That doesn’t mean there isn’t any lingering mystery still surrounding these infrequently encountered variants so read on to learn all about Pelikan’s vintage short cap head models.
The Pelikan's Perch 