The M815 Metal Striped special edition was announced in May and began shipping in late June of this year. It is the first M8xx release during the company’s 180th anniversary which makes the stakes seem just a little bit higher. This is not the first Pelikan pen to be labeled an M815 though. That honor fell to the Wall Street limited edition from 1995. While the two pens share little in common, it is nice to see Pelikan taking a new approach in tackling what is by now a familiar theme. The current M815 marries Pelikan’s high quality resin with palladium-plated stripes made from brass. The overall effect is a sophisticated elevation of their typical striped “Stresemann” design which enjoys a long and prestigious heritage. The brass added to this model gives it more heft than your typical M8xx, a boon for those who like a heavier pen. While not an exact analogy, you can think of it in terms of cramming an M1000’s weight into an M800’s body. One thing that detractors will likely be quick to point out, and rightly so, is that this model seems to have a lot in common with the M805 Stresemann from 2015. Let’s take a closer look and see if the M815 has enough going for it to stand on its own merits and separate itself from the pack.
The latest East coast holiday season snow storm has come and gone but none of the new fallen snow thus far has been as white as the M605 White Transparent. Pelikan’s latest M6xx release was preceded by a bit of uncertainty due to pre-release product photography that was somewhat poorly representative of the actual pen. Despite that, popular opinion has been favorable towards the M605 and vendors have noted strong sales. News of a new M6xx Souverän is usually welcomed by many as this model’s size hits the sweet spot for a large swath of enthusiasts. Unfortunately, it is also one of the more neglected lines in the Souverän family. The White Transparent looks very sharp with clean lines that are nicely complimented by its palladium plated furniture. Filling the pen with your favorite colored ink allows it to take on an additional dimension thanks to the transparent barrel which provides for easy viewing of the ink chamber. A white pen can be somewhat polarizing amongst those in the community and the White Transparent will likely be no exception. A pen so pure white is surely to be at risk for staining and while its critics will be quick to point that out, the pen has a charm that should allow many to look past such potential shortcomings.
There have been many excellent reviews of Pelikan’s P16 Stola III published since it was released back in 2015. I did not acquire one of these when they became available because I tend to favor Pelikan’s long revered piston filling mechanism over most cartridge/converter models. That said, an opportunity arose during the recent Pelikan Hubs event in Philadelphia, thanks to Frank from Federalist Pens, which allowed me to add a P16 to the flock. After using the pen for the past several weeks, I felt the need to add my voice to the reviews out there, largely because of how pleased I have been with this model. I am a piston user by preference and generally have a bit of disdain for the cartridge pen. I was softened to the cause of the cartridge pen after reviewing the P200 but was not won over. Despite my bias, the Stola III quickly had me forgetting about any misgivings and allowed me to enjoy the writing experience. It is a sharp looking pen with a surprisingly high end feel due to its metal barrel construction. It’s also priced quite reasonably for what you get. If you’re in the market for a cartridge pen, then I would have no qualms recommending the P16. Read on to find out why.
Fountain pens have been around since at least the 17th century and it stands to reason that the earliest variants likely adhered to the 20th century modernist architecture principle form follows function. This principle contends that the shape of an object should be based upon its intended purpose. I wonder how much time elapsed before pens started being embellished with unique styling and artistic sensibilities. There are some pens that are incredibly plain and while they may excel at what they do, they fail to ignite the senses. Others are so ornate and overblown that their artistry interferes with their function making for an all but useless show piece. Some pens are able to straddle the line between the two extremes and that is where Pelikan’s M800 Raden Royal Gold falls. With gold and black stripes reminiscent of a honey bee, the golden Raden finish married to the tried and true M800 chassis has resulted in an exceptional fine writing instrument, the likes of which haven’t been seen since a much more basic implementation on the now discontinued P3110 Ductus. Of course that is just my opinion but I hope to convince you of the same. The biggest argument against the design that I’ve heard is that this model has such a preponderance of gold that it makes for an overly ostentatious appearance (translation: too “blingy”). I can see why someone might feel that way but let me assure you that the use of gold here behind the mother of pearl overlay is not at all gratuitous. I always struggle with the utility of reviewing a pen made in such limited quantities and priced at such a luxury market price point. With only 388 people destined to enjoy the Raden Royal Gold, I decided to write this review in order to share the beauty and craftsmanship of this unique release with those who will never have the pleasure of owning this exquisite fine writing instrument.
News broke of the M101N Bright Red at the end of January and pens started shipping just a few weeks ago. The M101N is a modern re-imagining of a line of pens that Pelikan first introduced in the 1930s. Since 2011, we have had several releases in the series including the Tortoiseshell Brown (2011), the Lizard (2012), and the Tortoiseshell Red (2014). It’s not clear why the hiatus between the Tortoiseshell Red and the new Bright Red. What’s interesting about the Bright Red is that there is no direct historical 101N model from which it draws upon for its design. Perhaps that might explain the delay in a new model being put forth. The closest approximation in Pelikan’s history appears to be the amazing 101 Coral Red. The 101s were 100s that had colored caps but still retained the design of the 100. While the finishes of the modern Bright Red and vintage Coral Red are similar, the look of the two models is significantly different. There is a lot of divided sentiment about these modern releases and I find most of the accolade and adoration consistently goes to the Tortoiseshell Brown. Read on to find out whether or not the M101N Bright Red can upset the Tortoiseshell Brown’s place on the throne.
Pelikan has enjoyed a long and storied history of pen production. For this post, I’d like to focus on what may well be characterized as a bit of an oddity in the Pelikan line-up. The P1 was introduced in September of 1958 and enjoyed only a short production run ending sometime in 1963, presumably due to poor sales. The ‘P’ designation stands out as unusual here because this more commonly denotes a patronen-füller or cartridge pen but the P1 is in fact a piston filled fountain pen. This model was available as both Silvexa (P1S) and Rolled Gold (P1RG) variants. It came at a time when hooded nibs were en vogue and seemed to serve as Pelikan’s answer to the phenomenon. That said, Pelikan’s foray came much later than most other companies since pens like Parker’s 51 & 61, Aurora’s 88, Lamy’s 27, and Waterman’s C/F had already been on the market for some time. Until the introduction of the P1, Pelikan had been producing pens like the venerable 140 and 400, making the P1 a significant departure in design. Be that as it may, many people have shown much affection for the P1 and I felt a bit of a historical overview and review were in order as the P1 slowly creeps up on its diamond jubilee.
Pelikan’s 24 pen Collectors’ box was announced last year but issues with manufacturing resulted in a significant delay bringing the product to market. Vendors are finally starting to get stock and I thought that it would be worthwhile to share my impressions for those that may be interested in picking one up. Finding an adequate storage solution becomes a problem every collector faces at some point. I have seen no shortage of creative solutions during my time with this hobby and I’ve even employed a few of my own. Many people take to retrofitting objects made for other purposes to the task of fountain pen storage. I presume Pelikan hopes to change that with their own branded pen chest. The chest that I review here was purchased from Appelboom in the Netherlands and I cannot recommend them enough for their excellent customer service and communication (no personal or professional affiliation, just a satisfied customer). Read on to find out how this chest stacks up as a storage solution for your flock.
Few designs capture the imagination of the fountain pen community like a tortoise release from Pelikan. The tortoise finish goes all the way back to the earliest days of Pelikan’s foray into fountain pens. Forums can frequently be found with posts lamenting the lack of a tortoiseshell variant of one model or another. When the M800 Tortoiseshell Brown was released in 2013, it became an instant classic. Prior to that the M4xx line last saw a tortoise release in 2009 (M415) and the M600 line last had one in 2012 (Tortoiseshell White). When the M800 was made available, one of the few criticisms from the community was that such a finish was not present in a smaller sized model. Three years later and Pelikan has again resurrected the tortoise as a special edition finish in the M400 series. This is the first brown tortoise in the M400 line in seven years and is sure to make a big splash, particularly amongst those that favor a smaller/standard sized writing instrument. After a month of regular use, I’ve been very pleased by this model and felt that a review was in order. Read on to discover my thoughts on the newest special edition to join the flock.